2014–2015 Season

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Ladies’ Day

by Amanda Whittington

Performed 6–13 September 2014

Veronica’s Room

by Ira Levin

Performed 18–25 October 2014

Betrayal

by Harold Pinter

Performed 12–15 November 2014

A Christmas Carol

by Charles Dickens adapted by Neal Radice

Performed 6–13 December 2014

No Sex Please, We’re British

by Anthony Marriott and Alistair Foot

Performed 24–31 January 2015

The farce surrounds an assistant bank manager, Peter Hunter, who lives in a flat above his bank with his new bride Frances. When Frances innocently sends a mail order off for some Scandinavian glassware, what comes back is Scandinavian pornography. The two, along with the bank’s frantic chief cashier Brian Runnicles, must decide what to do with the veritable floods of pornography, photographs, books, films and eventually girls that threaten to engulf this happy couple. The matter is considerably complicated by the presence of Eleanor (Peter’s mother), Mr. Bromhead (his boss), Mr. Needham (a visiting bank inspector) and Vernon Paul (a police superintendent).

Synopsis taken from Wikipedia.

The Little Grimleys (The Last Tango & The Fat Lady Sings)

by David Tristram

Performed 18–21 February 2015

A Letter of Resignation

by Hugh Whitemore

Performed 7–14 March 2015

Broken Glass

by Arthur Miller

Performed 9–16 May 2015

Kristallnacht refers to the Night of Broken Glass, a pogrom against Jews throughout Nazi Germany and parts of Austria on 9–10 November 1938, carried out by brownshirts and non-Jewish civilians. German authorities looked on without intervening.

The name Kristallnacht comes from the shards of Broken Glass that littered the streets after Jewish-owned stores, buildings and synagogues had their windows smashed. Arthur Miller’s 1994 play is set at the time of Kristallnacht.

All photographs are copyright Pauline Neild Photography, unless otherwise stated.

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